In a recent interview with content creator Elsie in Toronto, Canada, Nigerian rapper Odumodublvck shared strong advice for fellow Nigerian artists, cautioning them against harboring any negative feelings toward Grammy-winning singer Wizkid. The “Wotowoto Seasoning” crooner emphasized that hating on Wizkid is equivalent to self-sabotage, a move that could potentially harm their own careers.
Odumodublvck’s remarks reflect his deep respect for Wizkid’s achievements and influence in the music industry. According to the rapper, Wizkid, whose real name is Ayodeji Ibrahim Balogun, has not only achieved global recognition but has also made significant contributions to Nigerian music on the world stage. For Odumodublvck, it is clear that Wizkid’s success is something that should be celebrated, not envied or resented.
The rapper specifically pointed out that some artists may feel slighted or unappreciated if they collaborate with another artist and don’t receive public acknowledgment in return. However, he believes this kind of reaction is unnecessary and counterproductive, especially when it comes to artists of Wizkid’s caliber. He explained that simply having the opportunity to collaborate with someone like Wizkid should be considered an honor and a major accomplishment in itself.
Odumodublvck expressed his personal stance, stating that he wouldn’t be upset if Wizkid featured on his album but chose not to promote it on social media. He emphasized that what matters most is the collaboration itself, not the social media promotion that follows. “There are some artists that when you release music with them, they look as if they are doing you a favor,” Odumodublvck said during the interview. He went on to explain that he has never asked an artist he collaborated with to promote their joint work. For him, the contribution of a verse or appearance is the most significant aspect of the collaboration, and whether or not the artist decides to share it on their platforms is secondary.
“If Wizkid gives me a verse and my album comes out and he doesn’t post about it, I will not be angry,” Odumodublvck clarified. His statement highlights his focus on the value of artistic collaboration, rather than the external validation that comes with social media promotion. Odumodublvck’s perspective suggests a maturity in understanding the dynamics of the music industry, where the success of a song or album doesn’t hinge solely on online visibility but also on the quality and impact of the music itself.
Wizkid, also known as Machala, has garnered a massive following both in Nigeria and internationally. His music continues to break barriers and set new records, making him one of the most influential African artists of his generation. Odumodublvck’s comments serve as a reminder to other Nigerian artists to approach Wizkid with admiration and respect, rather than envy or animosity. In his words, “If you start hating on Wizkid Machala, you lose.”
This sentiment reflects the idea that negative energy directed toward someone as successful as Wizkid is not only unproductive but can also have a detrimental impact on one’s own career. In a competitive industry like music, maintaining positive relationships and supporting fellow artists can go a long way in fostering growth and success.
Odumodublvck’s warning also underscores the importance of unity and collaboration in the Nigerian music scene. As Nigerian artists continue to make waves on the global stage, it becomes increasingly important to uplift one another and contribute to the collective success of the industry. By encouraging his peers to avoid unnecessary rivalries or grudges, Odumodublvck is advocating for a more supportive and cooperative environment within the Nigerian music community.
Furthermore, his remarks point to a broader issue in the music industry, where artists sometimes feel pressured to seek validation through social media posts and shoutouts. Odumodublvck’s stance suggests that true validation comes from the music itself and the creative process, rather than the external recognition that may follow. His approach encourages artists to focus on their craft and the relationships they build within the industry, rather than getting caught up in superficial concerns.
Ultimately, Odumodublvck’s message to his fellow artists is clear: hating on a trailblazer like Wizkid is a losing game. Instead, artists should focus on their own paths and appreciate the opportunities that come their way. Whether or not their work receives public promotion from collaborators should not define their success or worth as artists.
As Wizkid continues to soar to greater heights, Odumodublvck’s advice serves as a timely reminder for Nigerian artists to stay grounded, avoid negativity, and support one another in their shared pursuit of excellence. His message is not just about Wizkid, but about fostering a positive, collaborative spirit within the music industry. In a space where competition is fierce, Odumodublvck’s call for unity and respect is a refreshing and important perspective that can inspire growth for all.
