Nigerian singer Habeeb Okikiola, popularly known by his stage name Portable, has sparked a major online debate by claiming he has more hit songs than the Grammy-winning artist Burna Boy. Known for his outspoken personality, Portable stated in a video circulating on social media that he has a stronger record as a hitmaker compared to his widely celebrated colleague, Burna Boy.
The statement from Portable, who rose to fame with his song “Zazu,” has fueled significant discussions, with many fans questioning his bold comparison. In the video, Portable confidently expressed his belief that his music catalog outshines Burna Boy’s in terms of sheer volume of hits. “I have more hit songs than Burna Boy,” he declared, emphasizing that his words were not just empty boasts. He went on to reference one of his own songs, “Tony Montana,” as an example, suggesting that his track record of hits speaks for itself. “Uncle Burna, I have more hits than you,” Portable added, clearly standing firm on his assertion.
For many fans of Nigerian music, Burna Boy, whose real name is Damini Ebunoluwa Ogulu, is recognized as one of the biggest stars in Afrobeats, with a series of hits that have gained international recognition. His achievements have been widely celebrated, especially after winning the Grammy Award for Best Global Music Album in 2021 for his album Twice as Tall. Known for his unique fusion of Afrobeats, dancehall, reggae, and pop, Burna Boy has become a symbol of the global rise of Nigerian music, attracting millions of fans worldwide. This context makes Portable’s claim even more provocative, as Burna Boy is often regarded as one of the most successful artists to come out of Africa.
Portable, on the other hand, has built his career on a different type of appeal. He is known for his energetic performances, unconventional style, and his ability to stir controversy both online and offline. His breakout hit, “Zazu,” which featured renowned Nigerian artist Olamide, became popular in Nigeria for its catchy beat and Portable’s unique vocal delivery. While Portable may not have the same level of international acclaim as Burna Boy, he has developed a dedicated fan base in Nigeria and has remained in the public eye, often through social media and his outspoken personality.
The claim that he has more hits than Burna Boy has left fans divided. Supporters of Portable argue that he has consistently released songs that resonate with local audiences, bringing a unique street vibe that makes him relatable to a section of Nigerian society. To these fans, Portable represents the voice of the everyday Nigerian, and his songs often reflect street culture, addressing themes that are both familiar and entertaining to his fan base. For them, Portable’s music connects on a different level, making his comparison to Burna Boy valid in the context of Nigeria’s diverse music scene.
However, Burna Boy’s supporters quickly dismissed Portable’s claim, pointing out the global reach and acclaim that Burna Boy has achieved over the years. Burna Boy has not only earned a Grammy but has also collaborated with international stars, performed at prestigious events, and sold out arenas across the world. His hits, such as “Ye,” “Last Last,” and “Anybody,” have become anthems not only in Nigeria but across Africa and beyond. Fans of Burna Boy argue that Portable’s claim lacks merit, as his hits have not achieved the same level of recognition or cultural impact as Burna Boy’s.
For some, Portable’s remarks are seen as another example of his controversial approach to fame. The singer has frequently made headlines for his unconventional behavior, sometimes drawing criticism but also keeping him in the spotlight. Known for his brash style and candid nature, Portable has embraced a persona that thrives on controversy, which some fans appreciate as refreshing in an industry where many artists maintain carefully curated images. His statements about Burna Boy have sparked discussions on social media, with users debating whether Portable’s approach is genuine self-confidence or simply a strategy to gain attention.
The broader debate over Portable’s claim also raises questions about what defines a “hit” in the music industry. For some, a hit song is determined by its popularity and reach, as well as its ability to attract listeners beyond its immediate fan base. In this regard, Burna Boy’s music, with its blend of local and international appeal, is widely recognized as having a significant impact on the global music scene. His songs consistently chart internationally, and his albums are praised for their musical innovation and depth. Portable, in contrast, has a more localized fan base, with his songs primarily resonating in Nigeria and specific African communities.
Others argue that Portable’s emphasis on having “more” hit songs reflects a different approach to defining success. In Nigeria’s bustling music scene, artists like Portable focus on maintaining a steady stream of releases, often prioritizing quantity over the polished production associated with international hits. For these artists, success is measured by their ability to stay relevant and engage listeners consistently, regardless of whether their songs achieve international fame. Portable’s assertion may reflect his belief in this localized approach to music, where constant output and relatability are valued as much as international accolades.
The ongoing debate between fans of both artists highlights the diversity within Nigeria’s music scene, where artists can find success through various paths, whether by gaining international recognition or by cultivating a strong connection with local fans. For Burna Boy, global acclaim has solidified his reputation as an international ambassador of Afrobeats, while Portable represents a different dimension of Nigerian music—one that thrives on immediate relatability and street credibility.
As the discussions continue online, it is clear that Portable’s statement has struck a chord with fans who feel passionately about the evolving identity of Nigerian music. Whether Portable truly has more hit songs than Burna Boy is ultimately a matter of interpretation, as both artists represent different aspects of Nigeria’s dynamic music industry. Portable’s comments remind listeners that the Nigerian music scene is diverse, with room for both international superstars like Burna Boy and grassroots entertainers like himself.
In the end, Portable’s assertion may be less about direct competition with Burna Boy and more about a declaration of his own achievements and self-worth in an industry that is as competitive as it is diverse. His confidence in his music, regardless of external validation, reflects a broader trend in Nigeria’s entertainment landscape, where artists are increasingly defining success on their own terms.
